Press
A selection of critical responses from recent performances
“Maria Schellenberg (Armata) commanded the stage with a penetrating voice, cutting through the orchestral texture like a blade.”
OperaWire, OPERA2DAY & the Netherlands Bach Society 2026 Review: The Opera Circus
“Maria Schellenberg nobly sang the part, impeccably, from the pit.”
“Maria Schellenberg, who flawlessly sang the role of Megacle from the pit…”
The Times, L’Olimpiade review — medals all round for Vivaldi’s Olympic drama
“Etching words and phrases in her lower register, Maria Schellenberg’s Margared was all hauteur and barely repressed rage.”